STARGATE OF THE GODS

http://www.youtube.com/user/aliearia03?feature=mhee

RISE OF THE PHOENIX:

http://www.egyptianmyths.net/phoenix.htm
http://en.wikipedia.org/wiki/Bennu
____________________________________________________________________________
Goes with the GENESIS 10 and Ophiucus… also goes with the Vatican and the phoenix shown as above the serpent rope, being the video of EVERYTHING MAYAN LAST PART… ANGELS OF LIGHT MEET THE ANGELS OF DARKNESS (MAYANS TEMPLES, ZIGGURATS, PYRAMIDS AND TEMPLES TO THE SUN ALL POINT TO THE ASCENDING AND DESCENDING OF ANGELS… THESE GODS WERE OF TWO POLARITIES, THE ABOVE TO BELOW, THE LIGHT TO THE DARK, THE MELCHIZEDEK ORDER VS THE BABYLONIAN GODS THAT HAVE REIGNED ON EARTH AND HAS CREATED THE MATERIAL REALM HUMANITY HAS BELIEVED TO BE THE TRUTH, YET HAS BEEN THE ILLUSION.. THE TWO MEET NOW, AS THE ORDER OF ANGELS OF LIGHT DESCEND TO REVEAL THIS TRUTH AND THE ANGELS OF DARKNESS (THE BABYLONIAN GODS THAT HAVE KEPT THE TRUTH HIDDEN) HAVE NOW BEGUN IT’S FALL DUE TO THE LIGHT SHEDDING ITS BRIGHTNESS WHERE DARKNESS HAS DWELLED. THEY ARE BEING EXPOSED AS TRUTH AND THE PROOF HIDDEN IN THE SANDS OF TIME NOW EMERGE IN IT’S TRUE GLORY FOR ALL EYES TO SEE AND ALL EARS TO HEAR)

ALSO GOES WITH 9/11 SUN WORSHIPPERS PROOF BLOG

SIRIUS FOOL. RISE OF THE BLACK PHOENIX (PT. 5)

(ABOVE) 2008 = Death and Rebirth stage of the planet Venus and the Sun.

Sun Spot Cycle: America/Phoenix = 11 years, 2001-2012.

(BELOW) Venus Transit: Mother Goddess/Isis (2004-2012).

Will 2012 bring the As Above rise of Venus and the Sun and the So Below the rise of Venus aka Sarah Louise Palin (Scarlet Whore of Babylon) and Prince William Arthur Philip Louis of Wales (Antichrist)?

January

-Birth of Obama in Iowa (Hawk-EYE/Phoenix) as he wins democratic caucus. Obama also comes from Chicago which is symbolized by the Phoenix from the Great Chicago Fire of 1871.


-New solar cycle begins. Birth of Sun/Phoenix.
-Release of Cloverfield (Greenman/Osiris/Phoenix).
-New Black Pope (Black Sun/Father).

February

-Defeat of Patriots and Rise of the New York "Giants" in Phoenix Stadium.
-Space Shuttle Atlantis (Atlanta/Phoenix) launches.
-Mitt Romney drops out of Republican presidential race leaving John McCain (Phoenix) as the front runner.
-Shaq (Superman) is traded to the Phoenix Suns.
-Release of Fool's Gold.
-UNO aka The One a Beagle (Sirius/Snoopy/Superman/Obama) wins it's breeds first Best in Show.

March

-McCain (Phoenix) officially wins party.
-St Patricks Day (Greeman/Fool/Alcohol/Osiris).
-Merger of Sirius (Dog star) and XM radio.
-Olympic Flame (Phoenix) is lit.

April

April Fools Day
-Kansas Jayhawks (Blue Phoenix) wins NCAA national championship.
-Release of 21 (BlackJack/Joker).

May

-Deathof Madam Deborah Pelfrey on May Day (Fertility Ritual/Venus).
-Olympic Flame Reaches top of Mount Everest.
-The Phoenix lander arrives at Mars, landing successfully in the "Green Valley"(Osiris) region of Vastitas Borealis.
-A crane (Phoenix) collapses in the Upper East Side of New York City (Oz/Babylon) resulting in the death of at least two people, while another crane collapses in Shanghai's Pudong district, killing three.

June

-Obama wins Democratic party.
-The Hunger Strike for 9-11 Truth comes to an end in front of U.S. Senator John McCain's office in Phoenix Arizona on the 17th (Osiris/Phoenix) day.
-Release of the Hulk (Bruce Banner/BB/22/Greenman/Osiris/Phoenix).
-Iowa (Hawk/Phoenix) is evacuated due too flooding.
-Boston Celtics (Greenman/Osiris/Phoenix) win 17th championship on the 17th of June.
-FireFox (Phoenix) 3 is released.
-17 (Osiris/Birth) high school girls become pregnant near Boston.
-Summer Solstice
-Obama's Berlin speech
-Two medical (Caduecus) helicopters (Ascending/Sun Chariot) collide in Flagstaff, Arizona (OZ) near Phoenix, resulting in seven deaths and three people being critically injured.

July

-Release of Hancock (Nephilim/1776(Freedom Tower/2012)/Eagle = Phoenix + alcohol = Osiris (Greenman/Fool)) starring Will 2k(MM/2K/NY/OZ/Pan/77).
-Death of Bozo (Joker/Fool) the clown actor Larry Harmon.
-Release of Dark Knight featuring the Joker (Jester/Fool).
-Decapitation of 22 yr old Tim McLean (JokaWild/Jester/Fool) on trip too Winnipeg (Prometheus/Black Star/Galactic Center).

August

-SpaceX Falcon (Phoenix) is unsuccessful for 3rd time.
-Laying of the Phoenix Egg (Birds nest) at the 8/8/8 (Jesus C/Phoenix) Olympics in Beijing.
-Russia and Georgia (Atlanta/Phoenix) war.
-Juan Pedro Volpintesta born. (08/08/08 at 8pm).
-John McCain announces Sarah Palin (Scarlet whore/XXX/Venus) VP of Republican party.
-Release of Babylon A.D starring Vin Diesel (XXX). Genetically Engineered Aurora Dawn (Zarya-ISiS) is designed too give a virgin birth to the next Messiah.

September

- Hurricane Ike (Laughter/Joker/Fool) makes landfall in the United States at Galveston, Texas, as a Category 2 hurricane.
-Cern turns on it's 17-mile long (Osiris), Octagon LHC, which will recreate the big bang(BB/22/Fool)
-Circus (Clown/Jester/Fool) is announced as next album from Britney Spears.
-Release of Igor (Apprentice/Fool)
-Release of Eagle Eye (Phoenix).
-Space X Falcon (Phoenix) becomes first private vehicle too reach orbit.

October

-Release of Saw V (Jester/Joker/Fool).

November

-Joaquin Phoenix quits movies begins music career.
-Barack Obama becomes president elect of America (Phoenix).
-Guy Fawkes Day (Jester/Fool): J. K. Rowling's Harry Potter novels feature a phoenix, named Fawkes (after Guy Fawkes)
-Hurricane Paloma (Dove/Phoenix) Strengthens to Category 3 Storm
-The Phoenix Lander silent; Mars mission over, NASA says
-Bush Meets (Old America/Phoenix) with Obama (Rebirth of Phoenix) on day the phoenix declared dead.
-The Renegade Is Loose. We Repeat, the Renegade Is Loose. Mr. Obama will be known as "Renegade".
-ALL Magic Mushrooms (MM/2K/Amanita(Phoenix)/Pscilocybin) are banned in Netherlands on 11/11(MM/2k).
-A 22-year-old college dropout from Denmark won the World Series of Poker and its $9.15 million prize on 11/11.(2K/11:11/Ledger/Jester)
-The Jesters/Fools open Wallstreet.
-MV Sirius tanker is hijacked.
-ISiS (Venus) celebrates 10 year anniversary.
-Atlantis opens in Dubai on Palm (Phoenix) tree island.
-Black Friday: As the Christmas (Amanita/Phoenix) shopping season begins in the United States, two are shot at a Toys R Us store in Palm Desert, California(The area was first known as the Old MacDonald Ranch, but the name changed to Palm Village in the 1920s when date palms (The Date Palm (Phoenix dactylifera) is a palm in the genus Phoenix, extensively cultivated for its edible fruit. ) were planted.) and a Wal-Mart employee is crushed in a stampede after shoppers broke down a front door in Valley Stream, New York.

December

-Recession has Officially Hit United states.
-Arizona Cardinals (Phoenix) wins it 1st division title, while reaching the playoffs for the 1st time since 1985.
-Release of Defiance.
- Release of Yes Man(JC/Fool/Phoenix)
- Release of Valkrye(Eagle/Phoenix)
- Release of the Spirit on Christmas(Amanita/Phoenix)

The Fool

The pictures of Osiris below come from four different traditions. The first picture is a wall painting of Osiris, Isis, and Nephthys, the sons of Horus.

The second picture is another wall painting of Osiris, this time with Atun. It was found in the tomb of Nefertiti.

The third picture is a statue of Osiris found in the KV5 pyramid.

The fourt picture is Osiris carved in a column at the temple of Queen Hatshepsut.

THE STORY OF OSIRIS
http://www.jimloy.com/egypt/osiris.htm
STORY OF OSIRIS AND ISIS
http://www.akhet.co.uk/isisosir.htm

As with much of the ancient Egyptian mythology, there are various versions of the story of Isis and Osiris, but basically it runs as follows.......
Osiris was an earthly ruler, who was popular with his subjects. His brother, Set, was jealous of this popularity and plotted against Osiris.
Set's plans to be rid of his brother started when he secretly obtained his brothers measurements and had a magnificent casket made to fit. This casket was in the form of a human shaped box.

Set then organised a large feast to which Osiris and a number of others (usually given as 72) were invited. At the height of the festivities Set produced the casket and announced that it would be given to whoever it fitted. All the guests tried the casket for size, but none fitted until finally Osiris stepped into the casket.

Set immediately slammed the lid closed and sealed the casket shut (with molten lead). The sealed coffin was then thrown into the Nile.
Isis was devastated at the loss of her husband and searched for the casket throughout Egypt and then overseas. She eventually eventually found it where it had come to rest in the roots of a massive tree.

Isis then returned the coffin to Egypt for a proper burial. For safe keeping she concealed it in the marshes beside the Nile.
Unfortunately for Isis Set found the casket while out hunting and was so enraged he chopped the body of Osiris into pieces, and scattered the parts throughout the land of Egypt.

Poor Isis had to then set out again looking for the parts of her husband. Eventually she found all the parts except one and reassembled Osiris and wrapped him in bandages. In some accounts Isis breathed life back into Osiris' body and it was then that Horus was conceived. This was a more magical event that it seems, considering the one part of Osiris Isis couldn't find.

The young Horus then went out to battle his uncle Set and to avenge his fathers death. After a series of fights detailed in 'The contendings of Horus and Set' neither god was able to secure an overall victory. Ultimately Osiris was declared king of the underworld,Horus king of the living, and Set ruler of the deserts as the god of chaos and evil.

is the spirit in search of experience. He represents the mystical cleverness bereft of reason within us, the childlike ability to tune into the inner workings of the world. The sun shining behind him represents the divine nature of the Fool's wisdom and exuberance. On his back are all the possessions he might need. In his hand there is a flower, showing his appreciation of beauty. He is frequently accompanied by a dog, sometimes seen as his animal desires, sometimes as the call of the "real world", nipping at his heels and distracting him. He is seemingly unconcerned that he is standing on a precipice, apparently about to step off.

The number 0 is a perfect significator for the Fool, as it can become anything when he reaches his destination. Zero plus anything equals the same thing. Zero times anything equals zero. Zero is nothing, a lack of hard substance, and as such it may reflect a non-issue or lack of cohesiveness for the subject at hand.

In many esoteric systems of interpretation, the Fool is usually interpreted as the protagonist of a story, and the Major Arcana is the path the Fool takes through the great mysteries of life and the main human archetypes. This path is known traditionally in Tarot as the Fool´s Journey, and is frequently used to introduce the meaning of Major Arcana cards to beginners.

The conventional explanations say that The Fool signifies the flesh, the sensitive life, and by a peculiar satire its subsidiary name was at one time The Alchemist, as depicting folly at the most insensate stage. When The Fool appears in a spread, he would be a signal to strip down to the irreducible core, and interrogate whether the Querant's self-vision is obscured. It may also be a warning that significant change is coming.

Another interpretation of the card is that of taking action where the circumstances are unknown, confronting one's fears, taking risks, and so on.

A dog appears on most versions of the card. Some versions of the dog depict him biting at The Fool. The dog symbolizes the natural world, one path to knowledge and a valuable ally; he can be seen as providing The Fool with a "reality check," a link to the everyday world. Although it cannot be seen in all modern cards, The Fool is often shown walking off a cliff. This raises the question "Is The Fool making a mistake, or is The Fool making a leap of faith?"

God of Resurrection, The Underworld and The Judge of Dead
Patron of: the Underworld, the dead, past Pharaohs, agriculture (old form), fertility (old form)
First child of of Geb and Nut
Brother of Seth, Nephthys, and Isis who was also his wife.
Father of Horus by Isis
Father of Anubis by Nephthys

Osiris (Asar, Aser, Ausar, Ausir, Wesir, or Ausare) was an Egyptian god, usually called the god of the Afterlife.

Osiris is one of the oldest gods for whom records have been found; one of the oldest known attestations of his name is on the Palermo Stone of around 2500 BC. He was widely worshiped until the suppression of the Egyptian religion during the Christian era. The information we have on the myths of Osiris is derived from allusions contained in the Pyramid Texts (ca. 2400 BC), later New Kingdom source documents such as the Shabaka Stone and the Contending of Horus and Seth, and much later, in narrative style from the writings of Greek authors including Plutarch and Diodorus Siculus.

The Shabaka Stone is a relic from the Nubian Twenty-fifth Dynasty of Egypt.[1] It is a stone slab measuring 66 cm in height and 137 cm in width and was incised with the surviving hieroglyphs of a worm-ridden, decaying papyrus. This papyrus was found as pharaoh Shabaka was inspecting the temple of Ptah in Memphis, Egypt.

The Pharaoh Shabaka, concerned about the loss of the information on the papyrus, had the rest of the text written into this stone. However, in later years, the stone was used as a millstone and so some of the hieroglyphics were damaged. Nevertheless, it has been a fruitful source of insight into the culture and religious doctrines of the ancient Egyptians.

The Shabaka Stone is also noteworthy in that it places Ptah as the center of existence and as the creator god. It is the principal surviving source of the Memphite theology in Ancient Egyptian culture.

http://en.wikipedia.org/wiki/Ancient_Egyptian_creation_myths

The different creation myths had some elements in common. They all held that the world had arisen out of the lifeless waters of chaos, called Nu. They also included a pyramid-shaped mound, called the benben, which was the first thing to emerge from the waters. These elements were likely inspired by the flooding of the Nile River each year; the receding floodwaters left fertile soil in their wake, and the Egyptians may have equated this with the emergence of life from the primeval chaos. The imagery of the pyramidal mound derived from the highest mounds of earth emerging as the river receded.[1]

The sun was also closely associated with creation, and it was said to have first risen from the mound, as the general sun-god Ra or as the god Khepri, who represented the newly-risen sun.[2] There were many versions of the sun's emergence, and it was said to have emerged directly from the mound or from a lotus flower that grew from the mound, in the form of a heron, falcon, scarab beetle, or human child.[3][4]

[edit] Cosmogonies

The different creation accounts were each associated with the cult of a particular god in one of the major cities of Egypt: Hermopolis, Heliopolis, Memphis, and Thebes.[5] To some degree these myths represent competing theologies, but they also represent different aspects of the process of creation.[6]

Hermopolis

The creation myth promulgated in the city of Hermopolis focused on the nature of the universe before the creation of the world. The inherent qualities of the primeval waters were represented by a set of eight gods, called the Ogdoad. The god Nu and his female counterpart Naunet represented the inert primeval water itself; Huh and his counterpart Hauhet represented the water's infinite extent; Kuk and Kauket personified the darkness present within it; and Amun and Amaunet represented its hidden and unknowable nature, in contrast to the tangible world of the living. The primeval waters were themselves part of the creation process, therefore, the deities representing them could be seen as creator gods.[6] According to the myth, the eight gods were originally divided into male and female groups.[7] They were symbolically depicted as aquatic creatures because they dwelt within the water: the males were represented as frogs, and the females were represented as snakes.[8] These two groups eventually converged, resulting in a great upheaval, which produced the pyramidal mound. From it emerged the sun, which rose into the sky to light the world.[9]

Diodorus Siculus
http://en.wikipedia.org/wiki/Diodorus_Siculus
From Wikipedia, the free encyclopedia

"Diodorus" redirects here. For other uses, see Diodorus (disambiguation).

Diodorus Siculus (Greek: Διόδωρος Σικελιώτης, Diodoros Sikeliotes) was a Greek historian who flourished between 60 and 30 BC. According to Diodorus' own work, he was born at Agyrium in Sicily (now called Agira). With one exception, antiquity affords no further information about Diodorus' life and doings beyond what is to be found in his own work, Bibliotheca historica. Only Jerome, in his Chronicon under the "year of Abraham 1968" (i.e., 49 BC), writes, "Diodorus of Sicily, a writer of Greek history, became illustrious". His English translator, Charles Henry Oldfather, remarks on the "striking coincidence" that one of only two known Greek inscriptions from Agyrium (I.G. XIV, 588) is the tombstone of one "Diodorus, the son of Apollonius".

Work

Main article: Bibliotheca historica

Diodorus' universal history, which he named Bibliotheca historica ("Historical Library"), consisted of 40 books, of which 1–5 and 11–20 survive, and were divided into three sections. The first six books treat the mythic history of the non-Hellenic and Hellenic tribes to the destruction of Troy and are geographical in theme, and describe the history and culture of Ancient Egypt (book I), of Mesopotamia, India, Scythia, and Arabia (II), of North Africa (III), and of Greece and Europe (IV–VI). His account of gold mining in Egypt is one of the earliest extant texts on the topic, and describes in vivid detail the use of slave labour in terrible conditions.

In the next section (books VII–XVII), he recounts the history of the world from the Trojan War down to the death of Alexander the Great. The last section (books XVII to the end) concerns the historical events from the successors of Alexander down to either 60 BC or the beginning of Julius Caesar's Gallic Wars. (The end has been lost, so it is unclear whether Diodorus reached the beginning of the Gallic War as he promised at the beginning of his work or, as evidence suggests, old and tired from his labours he stopped short at 60 BC.) He selected the name "Bibliotheca" in acknowledgment that he was assembling a composite work from many sources. Identified authors on whose works he drew include Hecataeus of Abdera, Ctesias of Cnidus, Ephorus, Theopompus, Hieronymus of Cardia, Duris of Samos, Diyllus, Philistus, Timaeus, Polybius, and Posidonius.


[edit] Heliopolis

In Heliopolis, the creation was attributed to Atum, a deity closely associated with Ra, who was said to have existed in the waters of Nu as an inert potential being. Atum was a self-engendered god, the source of all the elements and forces in the world, and the Heliopolitan myth described the process by which he "evolved" from a single being into this multiplicity of elements.[10][11] The process began when Atum appeared on the mound and gave rise the air god Shu and his sister Tefnut,[12] whose existence represented the emergence of an empty space amid the waters.[13] To explain how Atum did this, the myth uses the metaphor of masturbation, with the hand he used in this act representing the female principle inherent within him.[14] He is also said to have to have "sneezed" and"spat" to produce Shu and Tefnut, a metaphor that arose from puns on their names.[15] Next, Shu and Tefnut coupled to produce the earth god Geb and the sky goddess Nut, who defined the limits of the world.[16] Geb and Nut in turn gave rise to four children, who represented the forces of life: Osiris, god of fertility and regeneration; Isis, goddess of motherhood; Set, the god of male sexuality; and Nephthys, the female complement of Set. The myth thus represented the process by which life was made possible. These nine gods were grouped together theologically as the Ennead, but the eight lesser gods, and all other things in the world, were ultimately seen as extensions of Atum.[17][18]

[edit] Memphis

The Memphite version of creation centered on Ptah, who was the patron god of craftsmen. As such, he represented the craftsman's ability to envision a finished product, and shape raw materials to create that product. The Memphite theology said that Ptah created the world in a similar way.[19] The ideas developed within Ptah's heart (regarded by the Egyptians as the seat of human thought) were given form when he named them with his tongue. By speaking these names, Ptah produced the gods and all other things.[20]

The Memphite creation myth coexisted with that of Heliopolis, as Ptah's creative thought and speech were believed to have caused the formation of Atum and the Ennead.[21] Ptah was also associated with Tatjenen, the god who personified the pyramidal mound.[20]

[edit] Thebes

Theban theology claimed that Amun was not merely a member of the Ogdoad, but the hidden force behind all things. In this view, Amun existed separately from the created world, and was the first creator; one Theban myth likened Amun's act of creation to the call of a goose, which broke the stillness of the primeval waters and caused the Ogdoad and Ennead to form.[22] Amun was separate from the world, his true nature was concealed even from the other gods. At the same time, however, because he was the ultimate source of creation, all the gods, including the other creators, were in fact merely aspects of Amun. Amun eventually became the supreme god of the Egyptian pantheon because of this belief.[23]

http://www.crystalinks.com/pyramidtext.html

The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom, mostly inscriptions on the walls of tombs in pyramids. They depict the Egyptian view of the afterlife, and the ascent into the sky of the divine Pharaoh after death. They were written upwards of five thousand years ago; thus, they are some of the oldest known writings in the world.

http://www.crystalinks.com/pyramidtext.html

AMDUAT:

The oldest of the royal funerary books is the Amduat. Amduat literally means "That Which Is In the Afterworld" - is an important Ancient Egyptian funerary text of the New Kingdom. Like many funerary texts, it was written on the inside of the tomb for reference by the deceased. Unlike other funerary texts, however, it was reserved only for pharaohs or very favored nobility.

It tells the story of Re, the sun god, traveling through the underworld, between the time the sun sets in the west and rises again in the east. It is understood that the dead pharaoh is taking this same journey, ultimately to unify with the sun god and become immortal.

The underworld is divided into twelve hours of the night, each presenting various allies and enemies for the pharaoh/sun god to encounter.

The Amduat names all of these entities, totalling many hundreds of gods and monsters. In fact, a prime purpose of the Amduat to provide the names of these creatures to the spirit of the dead pharaoh, so he can call upon them for aid or use their name to defeat them.
The earliest complete version of the Amduat is found in KV34, the tomb of Thutmose III in the Valley of the Kings.
http://www.crystalinks.com/amduat.html

Book of the Dead is the common name for ancient Egyptian funerary texts known as The Book of Coming or Going Forth By Day. The name "Book of the Dead" was the invention of the German Egyptologist Karl Richard Lepsius, who published a selection of some texts in 1842.

The Books were text initially carved on the exterior of the deceased person's sarcophagus, but was later written on papyrus now known as scrolls and buried inside the sarcophagus with the deceased, presumably so that it would be both portable and close at hand. Other texts often accompanied the primary texts including the hypocephalus (meaning 'under the head') which was a primer version of the full text.

Books of the Dead constituted as a collection of spells, charms, passwords, numbers and magical formulas for the use of the deceased in the afterlife. This described many of the basic tenets of Egyptian mythology.

They were intended to guide the dead through the various trials that they would encounter before reaching the underworld. Knowledge of the appropriate spells was considered essential to achieving happiness after death. Spells or enchantments vary in distinctive ways between the texts of differing "mummies" or sarcophagi, depending on the prominence and other class factors of the deceased.

Books of the Dead were usually illustrated with pictures showing the tests to which the deceased would be subjected. The most important was the weighing of the heart of the dead person against Ma'at, or Truth (carried out by Anubis). The heart of the dead was weighed against a feather, and if the heart was not weighed down with sin (if it was lighter than the feather) he was allowed to go on. The god Thoth would record the results and the monster Ammit would wait nearby to eat the heart should it prove unworthy.

The earliest known versions date from the 16th century BC during the 18th Dynasty (ca. 1580 BC­1350 BC). It partly incorporated two previous collections of Egyptian religious literature, known as the Coffin Texts (ca. 2000 BC) and the Pyramid Texts (ca. 2600 BC-2300 BC), both of which were eventually superseded by the Book of the Dead.

The text was often individualized for the deceased person - so no two copies contain the same text - however, "book" versions are generally categorized into four main divisions - the Heliopolitan version, which was edited by the priests of the college of Annu (used from the 5th to the 11th dynasty and on walls of tombs until about 200); the Theban version, which contained hieroglyphics only (20th to the 28th dynasty); a hieroglyphic and hieratic character version, closely related to the Theban version, which had no fixed order of chapters (used mainly in the 20th dynasty); and the Saite version which has strict order (used after the 26th dynasty).

It is notable, that the Book of the Dead for Scribe Ani, the Papyrus of Ani, was originally 78 Ft, and was separated into 37 sheets at appropriate chapter and topical divisions.

Archaeologists found this papyrus in the burial of Nany (NAH-nee), a woman in her seventies. She was a chantress (ritual singer) of the god Amun-Re and is referred to as "king's daughter" (probably meaning she was daughter of the high priest of Amun and titular king, Pinodjem I). As was customary during the Third Intermediate Period, her coffin and boxes of shawabtis (figures of substitute workers for the afterlife) were accompanied by a hollow wooden Osiris figure, which contained a papyrus scroll inscribed with a collection of texts that Egyptologists call the Book of the Dead. The ancient name was the Book of Coming Forth by Day. It is more than seventeen feet long when unrolled. The hieroglyphic inscriptions were written by a scribe, and the illustrations were drawn and painted by an artist.

The scene depicted here shows the climax of the journey to the afterlife. Nany is in the Hall of Judgment. Holding her mouth and eyes in her hand, she stands to the left of a large scale. Her heart is being weighed against Maat, the goddess of justice and truth, who is represented as a tiny figure wearing her symbol, a single large feather, in her headband. On the right, Osiris, god of the underworld and rebirth, presides over the scene. He is identified by his tall crown with a knob at the top, by his long curving beard, his crook, and by his body, which appears to be wrapped like a mummy except for his hands.

At his back hangs a menat as counterweight for his collar. In front of him is an offering of a joint of beef. Jackal-headed Anubis, overseer of mummification, adjusts the scales, while a baboon--symbolizing Thoth, the god of wisdom and writing - sits on the balance beam and prepares to write down the result. Behind Nany stands the goddess Isis, both wife and sister of Osiris. She is identified by the hieroglyph above her head. Nany has been questioned by the tribunal of forty-two gods about her behavior in life. She has had to answer negatively to every question asked in this examination, often called the negative confession.

In this scene Nany has been found truthful and therefore worthy of entering the afterlife. Her heart is not heavier than the image of the goddess of Truth. Anubis says to Osiris, "Her heart is an accurate witness," and Osiris replies, "Give her her eyes and her mouth, since her heart is an accurate witness."In the horizontal register above the judgment scene, Nany appears in three episodes: worshiping the divine palette with which all is written, praising a statue of Horus, and standing by her own tomb. Nany had a second papyrus roll with texts entitled What Is in the Underworld (Amduat) wrapped into her mummy in the area across her knees.

The Book of the Dead, the ceremonies, rituals and magic were all done in the hopes that one could reach the Land of the West and a happy afterlife, filled with good things. To live forever with the gods. To, once more, come forth by day as a living man would awaken with the sun.

THE BOOK OF THE DEAD
THE LINK IS FOR THOSE THAT WISH TO GAIN KNOWLEDGE MUCH DEEPER THAN WHAT IS COVERED ON THIS BLOG.  Alearia's note: Go to sheeple folder and find Rise of the Black Phoenix Part 5.. start from "THE COFFIN TEXTS"
   
http://www.crystalinks.com/coffintext.html

BOOK OF CAVERNS:

This books gives us a vision of the underworld as a series of six pits, or caverns over which the sun god passes. Most of the underworld is illustrated, while the text primarily praises Osiris. It stresses the destruction of the enemies of the sun god, and references afterlife rewards and punishments. The dead King, in order to complete his journey through the underworld, must know the secret names of the serpents and be able to identify his guardian deities. We only know of a nearly complete version in the tomb of Ramesses VI, though it appears in the upper parts of others.

The Book of Caverns appears to have originated in the Ramessid Period (the 20th Dynasty). As an underworld book, it seems almost to emphasize that previous text had been too soft on those deceased who fail their judgment in the afterlife, while at the same time focusing also on the rewards of those who do. It is, in fact, one of our best sources on the ancient Egyptian concept of Hell.

The Osireion, a well known cenotaph of Seti I located at Abydos, along with his mortuary temple, has the first known version of The Book of Caverns that is nearly complete (having its upper register damaged. It is found directly across from the rendering of the Book of Gates within the entry corridor on the left wall. Hence, it appears to be a relatively late funerary text of the New Kingdom, not showing up at all until the 19th Dynasty, and not making it into the tombs within the Valley of the Kings until the following reigns. A deviated version of the final depictions are given a dominant position in the decorative theme of the sarcophagus chamber in the tombs of Merneptah (KV8), Tausert (KV14) and Ramesses III (KV11), so versions of this book may have also been inscribed on earlier gilded shrines around the sarcophagi. Unfortunately, these earlier shrines are lost to us, so that possibility may never be known.

In the third corridor of the tomb of Ramesses IV (KV2) in the Valley of the Kings, Ramesses IV employed the earliest versions of the first and second sections of The Book of Caverns, rather than the traditional Amduat passages, and then repeats these passages twice more in the room behind his sarcophagus chamber. By the reign of Ramesses VI (KV9), we find an almost complete version of the book, here as in the Osireion, opposite the Book of Gates in the front half of the tomb, though due to the limited wall space, some passages had to be continued on pillars and in the upper pillared hall as well. While in the tomb of Ramesses VII (KV1), we find a similar arrangement to that of Ramesses VI on the right wall, here only the first corridor is decorated, with a small excerpt from The Book of Caverns second section. Later though, in the Tomb of Ramesses IX (KV6), there were selections from the first four sections on the right wall of the first and second corridors. However, in the sarcophagus chamber we also find parts of the two remaining sections of the book.

Jean Francois Champollion apparently first described the version of the book in the tomb of Ramesses VI, and even provided some translations in his thirteenth letter he sent from Egypt. However, no scholars seemed particularly interested in the book until a century later when a second complete version was discovered in the Osireion. Henri Frankfort tried to compose the first translation of that text, assisted by Adriaan de Buck in 1933. However, it was not until the period between 1941 and 1646 that Alexandre Piankoff executed an edition of the text based on several versions which he translated into French. He also translated the text from the tomb of Ramesses VI into English in 1954. Not until 1972 was a version translated into German by Erik Hornung, and a synoptic edition of the text has never been published.

The name we give this text, The Book of Gates, is a modern invention based on the netherworld being divided into "caves" or actually "caverns" from the Egyptian "qerert", for no original title has ever been discovered. However, it should be noted that Piankoff translated qerert to mean "envelope" or "cocoon". Unlike the Amduat and the Book of Gates, this book is not divided up into regions of the night, though an attempt is made to follow the general divisions divided up between three registers. However, these registers often had to be staggered due to space limitations. In all, every version divides the two initial sections into five registers. We also end up with problems in the version of the book in the tombs of Ramesses VI and Ramesses IX, for apparently the initial design of these versions was meant for a left hand wall, but transposed on the right hand wall.

The Book of Caverns is divided into two halves by two large depictions of the ram headed sun god, and each half is further divided into three parts. Hence there are a total of six sections. The text of the first two sections of the book are separated from the representations, with the text placed after the representations, though this order is reversed in the version found in the tomb of Ramesses VII. Here, the sun god invokes the individual beings or groups of gods depicted in the representations within a long monologue. The remaining sections combine representations and captions, as well as a descriptive formula of the earlier books. Each section within the second half of The Book of Caverns is preceded by several litanies, with section five having a total of thirteen.

Like the Book of Gates, the Book of Caverns, with the exception of the final representation, divides the text into registers with further pictures. It should also be noted that it is more literary then previous funerary books of the New Kingdom, having a higher percentage of text to pictures. In section five, the depictions are of Nut and Osiris, with the image of Nut alluding to the theme of the Books of the Sky, which describes the nightly journey of the sun through the body of Nut.

The solar bargue is only found within the final representations. In sections three through six in which the damned and their punishment (occupying the lower registers) are not depicted, the individual scenes have a sun disk. The beings who are portrayed in the various caverns are often enclosed in ovals, while there are sarcophagi that enclose the bodies of gods and goddesses. In the single example found in the tomb of Ramesses VI, some two hundred remarks were added referring to the king.

The obvious theme of this book, like other such text, is the sun god's nightly passage through the netherworld. Interestingly, the distinction between Osiris and Re are clouded, and both actually seem to be viewed as attributes of a sole deity. A principle motif of the book is established primarily in section three. Here, Osiris, who is more prominent then in most prior funerary text, is encountered by Re as a corpse in his "coffer". In section four the god begins to regenerate. Less prominent is the battle with Apophis found in the Amduat and the Book of Gates.

At the very beginning of the book, two vertical strips depict the solar disk and Re as a ram headed sun god. This is "Re who is in the sky", and his mission is to enter the primeval darkness in order to defend and and provide care to Osiris. Afterwards, depictions of section one are divided into five registers. The separate text is a monologue of Re directing various groups of entities. Here, the three snakes of the Duat's first cavern guard the cavern entrance. Re faces Osiris with his hand extended to him in the third register. We see Osiris within his shrine, protectively surrounded by a serpent, as are his followers inside their sarcophagi. In the bottom register, Osiris' enemies are shown beheaded though still guarded by another three serpents. They are to be punished in the "Place of Annihilation", an ancient Egyptian concept of Hell, as Re condemns them to nonexistence.

In section two, Re must reach the various gods and goddesses in their sarcophagi who are guarded by several serpents. He meets various forms of Osiris in the second register and beseeches them to "open their arms to me...receive me". In the third register, Re encounters Osiris in his coffer, which sits aside the ram and jackal headed posts of the sun god found also in the Book of Gates. Other forms of Osiris are encountered in the fourth register, while in the lowest register, we again find Osiris' enemies who are bound and beheaded. Some of these figures are depicted hanging head first with their hearts torn out. Once again, Re condemns them to nonexistence, sending them to the Place of Annihilation where their punishment is carried out by guards with knives. Now, Osiris is told by Re that he will enter the "cavern where Aker is".

Hence, in the third section, Re enters the cavern that contains Aker and finds the ithyphallic body of Osiris lying beneath Aker, an earth god. Here, in the first register, Osiris is depicted as the dead king in his sarcophagus, which is guarded by several serpents. After that scene we find depicted several figures with the heads of catfish. They are the helpers of Aker who we will encounter again, and represent the deepest and darkest regions of earth and water. In addition, Re also finds other manifestations of himself within sarcophagi, while the end of the register is filled with divine sarcophagi "in the cavern of Osiris-Khentamentiu".

In the middle register of the third section, we initially encounter Re once again in his manifestation as the Eldest One, who leans on a staff. He addresses four forms of Osiris as the "lords of the Duat". The center scene in this register depicts Aker as a double sphinx surrounded by the gods of the Ennead. The next scene seems to stress the unity of Re and Osiris, with the corpse of Osiris in his sarcophagus, along with a Ram's head, and the eye of Re in sarcophagi. Surrounding all of this is a ouroboros. Next, Osiris is once again shown surmounting a serpent as "the one who has become two".

In the lower register of section three, we once again encounter those who are in hell. In this case, the "enemies" are all upside down and some have been decapitated. Here, in the first two groups who are pleading for mercy, we find for the first time, female enemies. Now the wicked are in the primeval darkness of the Place of Annihilation, and by the end of the register, even their ba (souls) are upside down, and thus being punished. Interestingly, the ithyphallic corpse of Osiris is also here among the enemies, but the sun disk sits above him, and he is protected by a serpent.

The second half of the Book of Caverns begins with section four. Initially we find an erect serpent named Great One on His Belly, with the solar disk and the ram headed sun god to either side. Here, the opening text in vertical columns consists of three litanies praising the sun god, praising his beauty as he illuminates the region of darkness. Re faces Osiris and his followers and makes a number of promises. In the upper register, we first encounter Isis and Nephthys who lift the body of Osiris so that he may be resurrected. This is followed by a scene depicting Osiris being cared for by his two "sons", Anubis and Horus and following this, Osiris is portrayed as the Bull of the West, accompanies by Horus-Mekhentienirty, a mongoose (ichneumon) who is his son.

The second register of section four begins with Re, one more leaning on a staff, facing the three forms of Osiris. This is followed by a scene depicting Horus and Anubis protecting the double corpse of Osiris, and another scene where they stand in a pose symbolic of protecting Osiris and his ba.

In the lower register, we once again encounter the enemies in hell, who are found and standing on their heads, which this time have not been cut off. However, between them are the "annihilators in the Place of Annihilation,". In this initial scene, the punishing demon is Miuti, the "cat-formed one, from whose clutches there is no escape". We are told that there bodies have been robbed of their souls, and that they can neither see nor hear Re.

At the beginning of the fifth section of the Book of Caverns, Tatenen, the litanies reveal a little known but important deity as both an earth god and the father of the gods, who rejuvenates the sun. The initial depictions portrays Nut, the goddess of the sky, who lifts the ram headed sun god and the solar disk on her upraised palms. She faces the three registers and is surrounded by motifs representing the course of the sun, including on one side a scarab pushing the solar disk, then a ram, a disk, a ram headed deity and a child, while on the other side, a series of crocodiles pushes a ram's head, a scarab, an utchat eye and a disk. There is also human headed, bearded serpents that rear up on either side of Nut. Her arms are stretched towards the heavens in order to receive the solar child. Here, Nut is called the Mysterious One and "she with the mysterious form."

The upper register of section five begins with Osiris, whose hands are extended out to Re, along with four human headed serpents. In the next scene, we encounter a representation of Tatenen, who is propped up by the corpses of Atum and Khepri. Next, we find two sarcophagi, one of which encases the two manifestations of Re as a child.

In the middle register, initially we find represented the four falcon headed mummies who are forms of Horus, which is followed by Anubis in his role as guardian and a coffin containing the scepter of Atum, which embodies the creative power of the sun god, and therefore "created the netherworld and brought forth the realm of the dead". At the end of this register, we find four unknown goddesses in sarcophagi.

The bottom register of this section opens once again with the ancient Egyptian concept of Hell, where a female deity who carries two stakes in her hand is about to punish two bound prisoners who kneel before her. In the following two scenes the enemies are being punished in large cauldrons. We see in the first cauldron their heads and hearts (which the ancient Egyptians thought of more as the mind), and in the second we find the decapitated, bound, upside down enemies themselves. A uraei fans the flames beneath the cauldrons, which are being held above the fire by the "arms of the Place of Annihilation.

The three registers of section five are interrupted by an image of Osiris, once again depicted in his ithyphallic guise, together with his ba that is symbolized by a bird atop his head. He is guarded by a protective serpent. As the registers continue, we first find an oval containing the four "flesh" hieroglyphs which refer to the corpse of Osiris. His corpse is now cared for by the light and voice of Re. Below this, the goddess Tayt greets the sun god and Osiris, which is followed by a scene depicting the head of Re in its ram manifestation being adored by Osiris and Horus. Another cauldron, in the lower register, contains the flesh, the souls and the shadows of the enemies of Re and Osiris. Once again, the arms of the Place of Annihilation hold the cauldron which is being heated by two goddesses.

It should be noted that the shadow held important connotations to the ancient Egyptians. It was considered to be a major component of an individual, as well as a separate mode of existence. We find the mention of shadows mostly in funerary text such as this, with early references appearing in the Coffin Text of the First Intermediate Period and the Middle Kingdom.

Between section five and six, the final part of the Book of Caverns, there is a long text consisting of thirteen litanies which refer to the prior section (five). Here, Re addresses all the entities, including his enemies, portrayed in the section five. The sun god gazes upon his own corpse with the intent of effecting the resurrection of Osiris-Imenrenef, who is "he whose name is hidden".

The first scene in the upper register of part six depicts the funerary god, Anubis, caring for corpses ("the bodies which are in the earth") in their sarcophagi, which is followed by a second scene where Anubis tends to the sun god, who in his sarcophagus, is depicted as a ram with a falcon head. In the third scene, the sun god, in several manifestations is now being watched over by two goddesses, each of whom stand on the symbols for flesh. Here, he is presented with a ram's head, as a scarab and in his role as "he of the netherworld". In the final scenes of this register, Osiris-Orion leans over a mound containing a fettered and decapitated figure, followed by a god who prays before a falcon. Osiris is shown protecting Horus, his son, as well as the sun god who is within Horus.

In the middle register, initially we find a scene portraying a scarab beetle pushing the sun disk before it out from "between the two mysterious caverns of the West" (the mountains of sunrise). This cavern contains both Osiris and Re, who are met by four standing gods. Here, text addresses the rebirth of the god, which is heralded by the scarab. Yet, even now there remains a final threat, depicted as the great serpent encircling the solar beetle. This obstacle is overcome by the "two old and great gods in the Duat", who cut the serpent into pieces and place a spell upon it. While this serpent seems malicious, another represented in the third scene appears to regenerates Re, who emerges from the mound in a ram head manifestation, to sit upon the tomb of Tatenen. In a fourth scene, two sarcophagi holding falcon headed gods are encountered by Re, while in the next scene, he meets several gods who are headless. Re restores their head with his creative power.

The motif of the lowest register, consistently followed throughout the Book of Caverns, is once again present in this final part of the sixth section. Again, we find scenes of punishment in the place of Annihilation, where at first, goddesses wielding knives torture supine, beheaded figures with their heads set at their feet and who's hearts have been torn from their bodies. The accompanying text also explains that the soul and shadows of these enemies have also been punished. In the second scene, we encounter four bound female enemies who are guarded by two jackal headed goddesses. Re has condemned these enemies, once again, to the "Place of Annihilation, from which there is no escape". Next, four more headless, kneeling and bound enemies are guarded by a god and goddess, and finally in the last scene, the enemies are thrown head first into the depths of the Place of Annihilation, while Osiris rises out of the abyss.

A final representation after the sixth section of the Book of Caverns shows Re emerging from the "two mounds", which are each protected by a god. We also find the solar barque, towed out of the netherworld by twelve gods, while seven more rejoice to either side. While the boat is not yet completely revealed, we do see the ba (THE PHOENIX) , the scarab (THE SYMBOL FOR THE EMISSION ORION NEBULA: WHERE THE LIGHTBEINGS those coming from the clouds for all eyes to see as what Christians call Christ/Messiah/Lord is said to come from:

AMOS 5:8  Seek him that maketh the seven stars and Orion, and turneth the shadow of death into the morning, and maketh the day dark with night: that calleth for the waters of the sea, and poureth them out upon the face of the earth: The LORD is his name:  : PLEIADES (THE SACRED 7, THE RIGHTEOUS NUMBER, THE STARS NUMBERED BY ABRAHAM WHEN TOLD TO DO SO BY KING MELCHIZEDEK..

 Ple·ia·des  
Ple·ia·des [pl ə dz]
npl
1.  7 daughters of Atlas: in Greek mythology, the seven daughters of Atlas and Pleione who were pursued by Orion and were turned into a constellation to escape him 
2.  cluster of stars: a cluster of more than 300 stars in the constellation Taurus, several of which are blue-white giants visible to the naked eye 

[14th century. Via Latin < Greek ]
Encarta ® World English Dictionary © & (P) 1998-2005 Microsoft Corporation. All rights reserved.

O·ri·on  

O·ri·on [ə r ən, ō r ən]

n
1.  mythological giant: in Greek mythology, a giant and hunter, the son of the sea god Poseidon, who was killed by the goddess Artemis and transformed into a constellation 
2.  equatorial constellation: a constellation near the celestial equator containing the Great Nebula and more than 200 stars visible to the naked eye 

Encarta ® World English Dictionary © & (P) 1998-2005 Microsoft Corporation. All rights reserved.

SO, WE READ OF A MIGHTY MAN BEING THE FIRST ON EARTH... WHO WAS NIMROD? A GIANT! WHAT DO WE READ ABOUT ORION?
"MIGHTY MAN"=GIANT
"BEFORE THE LORD"= DOESN'T THE BIBLE SAY HE CAME BEFORE (BEFORE) THE LORD?  ISN'T ORION BEFORE THE PLEIADES? WOULDN'T PLEIADES HAVE TO COME FORTH OUT OF THE CLOUDS, AS ORION NEBULA IS A HAZY OBJECT WITHIN ORION?

O·ri·on Neb·u·la   
n
 nebula in constellation Orion: an emission nebula in the constellation Orion, visible to the unaided eye as a HAZY OBJECT in Orion's dagger  
Encarta ® World English Dictionary © & (P) 1998-2005 Microsoft Corporation. All rights reserved.
   

NOW, LISTEN TO IT ONE MORE TIME:


A MIGHTY HUNTER BEFORE THE LORD...

SHOW 12 TRIBES MAZZAROTH (BROTHER ON DESKTOP)







CAN WE PROVE THE LORD IS ACTUALLY THE SAME ENTITY DESCRIBED IN THE ANCIENT EGYPTIAN, MAYAN, AZTEC, INCA, DOGON, GREEK AND ALL OTHER TEXTS, TEMPLES, PYRAMIDS AND SACRED RECORDS NOW REVEALED THAT IS ACTUALLY THE CODED ZODIAC CONSTELLATIONS? DON'T BELIEVE IT? EXPLAIN THIS ONE:

REMEMBER THE PHOENIX AND THE SERPENT ROPE?

The Sun-god, identified by his saw and the rays emanating from his shoulders,

is often depicted on Akkadian seals being transported in his boat.

The prow of the boat on this shell seal from Tell Asmar

ends in the figure of a bearded god or demon holding a forked punt-pole.

The bearded serpent is E.A.

Oriental Museum, Chicago.

LOOK LIKE THIS?
http://www.bibliotecapleyades.net/esp_autor_whenry02.htm

A ship constituted by a double-headed serpent sailing on the back of a second serpent.

Egyptian sources similarly identify this as the cosmic serpent as the watery “pathway” traversed by the boat.

The Egyptian Book of the Dead, for example, describes the ship sailing over the “back” of the serpent-dragon Apepi.

In details from two illustrations in the Book of the Dead we see that the serpent ship (the ‘wormhole’), in the form of a double serpent, rests upon the world mountain or Primeval Hill, presented in the first instance as a supporting stand or pillar and in the second as a column of water.

Featured on this ship is the Stairway to Heaven , the mythological flight of steps . The connection between the ship and the Stairway is made in the Egyptian word khet, which means “steps” and also “ship’s mast”.

The mast of the ship is the Stairway to Heaven, because the ship itself is the conduit between Earth and Heaven.

THE EGYPTIANS AND MAYANS WERE NOT THE ONLY ONES WITH THIS KNOWLEDGE.. THE CATHOLIC CHURCH ALSO HAS THESE SYMBOLS OF THE SERPENT IN THE MOST HOLY GROUNDS KNOWN TO ROME:

THOSE HIDDEN BEHIND THE ORION NEBULA.. ORION, HE WHO WAS KILLED BY ARTEMIS... ARTEMIS TEMPLE BEING THE ORIGINAL TEMPLE ON THE ORIGINAL GREEK LIST OF THE 7 WORLD WONDERS...

http://en.wikipedia.org/wiki/Temple_of_Artemis


.. and the ram headed morning form of the sun god, and in front of the barque, we see a ram headed scarab beetle, along with the sun as a child.


A symbolic representation of the route through the netherworld, consisting of two triangles, is sown leading to a large representation of the sun disk. The triangles each are half black (the netherworld) and half blue, representing water. In the end, we finally witness Re at the end of his nightly journey, entering the eastern mountains from where he will rise once more to provide light for the living world.

ALL TEMPLES OF THE ANCIENTS ALIGN WITH PLEIADES/ORION:

MAYAN, EGYPTIAN, BABYLONIAN AND CHRISTIAN BELIEFS AND STORIES ARE THE SAME; THEY JUST GAVE THE CHARACTERS DIFFERENT NAMES


http://www.youtube.com/watch?v=VbPXBNpb9ls&feature=related



AMOS 5:8
Seek him that maketh the seven stars and Orion, and turneth the shadow of death into the morning, and maketh the day dark with night: that calleth for the waters of the sea, and poureth them out upon the face of the earth: The LORD is his name:

ISN'T CHRIST, THE LORD, SUPPOSE TO RETURN? DIDN'T HE ASCEND? TO RETURN, COMING THROUGH THE CLOUDS? FOR ALL EYES TO SEE?

IT MAKES SENSE WHEN YOU UNDERSTAND UP IS DOWN AND DOWN IS UP:

HORUS AND THE 12 DISCIPLES
http://www.youtube.com/watch?v=zM9hlelbSdA&feature=related






http://www.youtube.com/watch?v=wsWiPWJpJgE&feature=related


BE SURE TO EXPLORE THE BLOG AND SEMINAR KNOWLEDGE OF "PHOENIX RISES AS PLEIADES" (on desktop) and "RISE OF THE BLACK PHOENIX" The proof of angels among humans will be most evident to the biggest of skeptics!!!!!!!!!!!! 

http://www.bibliotecapleyades.net/stargate/stargate10.htm

MANLY P. HALL: ATLANTIS AND ANCIENT CIVILIZATIONS
http://www.youtube.com/watch?v=7UMJvSTTMMQ&feature=related



SEE REIS PIRI MAPS

http://www.youtube.com/user/ricintoxin81#p/c/EAC24D0031C90118/4/528LMBCduGk